Our Work
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Elevating your Mission
A series of cinematic campaigns by OVERCLOCKIN.
One vision, all channels. A communication suite.
We turn complex missions, payloads and programmes into a clear visual language that works everywhere – from investor decks and agency reviews to conference booths and social launches.
Instead of one-off assets, we build systems: 3D scenes, models and templates that can be reused across films, short-form clips, stills, decks and print.
Investor presentations
that feel engineered, not improvised
Product launches
that make your value obvious at a glance
Trade shows & events
that feel designed, not thrown together a week before
The suites in this presentation give you modular options across Branding, Vision, Mission and Stage. You can start with a single hero cinematic film, layer in decks, product renders and brochures as needed, or move into an ongoing partnership where we act as an extension of your in-house team.
We’re not just creating content – we’re building scalable visual systems. Our suites let you showcase your product with consistency and flexibility, and elevate it across all channels – cinematic, technical and timeless.
Branding Suites.
Design a visual identity that feels engineered, not improvised.
Your brand is often the first contact someone has with your company – long before anyone understands your architecture, orbits or test results. In that moment all they see is a name, a mark and a feeling. We make sure that feeling is calm, precise and confident rather than improvised.
We treat branding as a system, not a single logo file. Typography that survives PowerPoint, colour palettes that work on LED walls and in print, and marks that still look sharp when they are squeezed into a tiny avatar or stretched across a booth header.
Because we work so much in aerospace and deep-tech, we design identities to live next to CAD models, plots and dashboards, not stock photos. The visual language has to respect the engineering while still giving marketing and sales something bold to work with.
Mission Suites.
Cinematic films that make complex missions feel inevitable.
Our mission films turn your products and services into clear, cinematic stories – whether they operate in orbit, on the ground, on the Moon or in the field. These are our flagship suites – this is where you’ll find us in our element, using the full range of our cinematic, visual and sonic background.
We start by sitting down with your team to understand what really matters: what the system does, where it lives, who it serves, and what success looks like. Then we decide what to show, what to simplify, and where to slow down so non-experts don’t get lost.
Engineers get something they’re happy to stand behind. Investors, customers and partners get something they can finally understand – and remember – without needing a technical brief.
Cinematic, mission film
Cinematic, product film
Dynamic, high-paced
Explainer, slow-paced
Reflections
Cinematic feel
Ultra-realistic animation
Graphic UI
Installations
Earth
ISS
Rocket POV
Satellite detail
Because everything comes from the same scenes, updating is easy. New environments, next-generation hardware or follow-up missions can be added without starting again from scratch.
In practice, this gives you:
  • One flagship film for launches, websites and major events.
  • Shorter cuts for social, pitches and panels.
  • A stills library for decks, brochures, thumbnails and press.
Vision Suites.
Turn your hardware into a story people can actually see.
Most of your product lives inside CAD files, internal diagrams and test reports. It is accurate, but invisible to anyone who isn’t in the room. Our Vision work translates that detail into high-fidelity 3D models and renders that make your hardware feel real within a single slide or page.
We start by aligning on the truth of the object – geometry, materials, mechanisms and how it genuinely operates in context. Then we choose angles, lighting and framing that highlight what matters most: a sensor face, deployment sequence, interface or volume claim.
From that, we build a reusable asset library: turntables for web, stills for datasheets, hero images for decks and simple brochures that explain the product without overwhelming the viewer. Everything pulls from one visual source of truth.
Complex systems
Scientific ground truth
Trusted interfaces
The benefit is twofold: engineers see their work represented accurately, while non-technical stakeholders finally understand what they’re looking at. A single set of visuals serves marketing, sales, BD and leadership at the same time.
Over time, these assets plug directly into mission films and conference kits. You’re not paying again and again for the same modelling work – you’re extending a visual universe that already fits your brand and hardware.
Stage Suites.
Booths, decks and visuals built for real conference floors.
On a busy show floor you have seconds, not minutes. People are scanning aisles, juggling meetings and mentally filtering out noise. Our Stage work is designed to win that glance – so within a heartbeat visitors know what you do and why they should stop.
We design the deck, booth, screen content and printed material as one experience. The same story runs through the headline on the wall, the loop on the screen, the diagram in the deck and the brochure someone takes back to their team.
A typical collaboration starts with your conference calendar and goals. We prioritise the events that really matter, then design a visual system that can flex between different stand sizes, speaking slots and audiences.
From there, we build screen loops, keynote decks, handouts and small brand touches – stickers, badges, simple merch – so your presence feels intentional rather than improvised a week before the show.
For teams on the circuit, we often think in seasons instead of single events. The same core visual language evolves across shows, so each appearance reinforces the last. You look like one company executing a plan, not a different brand at every conference.
Partner Plans.
When you want OVERCLOCKIN as an extension of your team.
Some companies don’t just need a single film or booth; they need ongoing creative momentum across launches, conferences and investor milestones. That’s where our subscription-style partner plans come in.
Instead of re-briefing new suppliers each time, you gain an embedded creative crew that already understands your product, roadmap and constraints. We plan quarterly, agree priorities, then quietly ship decks, films, stills and event assets while you focus on engineering and business.
What you get.
Constant stream of assets.
On a practical level, this looks like a fixed monthly engagement with a clear lane: a defined amount of animation, design and conference support, plus reserved time around your key dates so there are no last-minute scrambles.
Work created under these plans feeds directly into larger campaigns and suites – models, scenes and storylines become building blocks for mission films, product kits and conference programmes, so you’re never paying twice for the same foundation.
The result is simple: you have a consistent visual backbone for your brand, a single team responsible for quality, and the confidence that your next launch or event will already have creative capacity booked in.
How we work.
Transparent, structured, milestone-based.
We start with a short discovery call: audience, goals, deadlines, constraints. From there, we propose a simple structure and visual direction that you can react to quickly.
Production runs in clear milestones – concept, build, refinement, final. At each stage you see work-in-progress that’s easy to comment on, instead of being hit with a “finished” piece too late to change.
1
Discovery
Align, plan, prioritise
2
Production
Design, produce, refine
3
Visual Suite.
Deliver, support, scale
We keep communication light but responsive: a mix of email, shared docs and calls when needed. You always know what we’re working on, what’s next and when it’s due.
At delivery, you receive clean, organised files ready for web, screens and print, plus agreed source material so you can reuse and extend assets internally or in future projects. Over time, this becomes a shared visual library your whole team can rely on.
Why us.
A team aiming for the stars
We specialise in aerospace and deep-tech, so we understand the difference between a nice visual and one that actually respects the physics, hardware and constraints behind it.
We come from film, design and music, which means we treat every project cinematically – pacing, framing and sound all working together to make your product feel real, not theoretical.
Because we work across branding, product visuals, mission films and conferences, we can keep your story consistent from the first slide to the booth floor and beyond.
We’re interested in long-term partnerships, not one-offs. The more we learn about your roadmap, the more value we can add across launches, funding rounds and key events.
Science with soul.
We pair technical accuracy with an organic, human tone. The result is credible storytelling that still feels alive.
About us
OVERCLOCKIN is a London-based creative agency and music label specialising in the aerospace and technology sectors.

We help innovators elevate their brand through strategic storytelling and visually impactful content.
This leaflet outlines how we can support your brand with a coherent visual language: from hero films and short-form clips to stills, decks and conference assets.
Our aim is to integrate seamlessly with your marketing efforts – asking the right technical questions, carrying the creative workload and giving your team reliable, reusable assets.
We’d be genuinely excited to work with you and to become a long-term creative partner as your roadmap evolves.
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Bold, Unified voice.
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